Mark James


Leisure

Reel Talk: The hero Gotham deserves

About one week ago, Ben Affleck signed a contract to star as Batman in the upcoming Man of Steel sequel. Citing Affleck’s role in creating the monsters that are Gigli and Pearl Harbor, the internet reacted with a mix of incredulity and sheer outrage. However, the impetuously crafted rants against Affleck have been far off the mark. Little do the haters know that Affleck may be the best Batman to date.

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Reel Talk: Risqué, violent movies ‘R’ us

Most movie fans remember the first R-rated movie they watched. If you have trouble recalling this formative experience, you probably had awesome parents who let you watch Commando when you were three. But that’s beside the point. A couple hundred R-rated movies later, we cannot help but miss the visceral reactions our younger selves felt as we saw explicit images on the screen, images that opened the door to terror, sexuality, and humor which our virgin eyes and ears had never been exposed to.

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D.C. Film Fest kicks off

Now in its 27th year, the D.C. Film Fest continues to showcase a comprehensive selection of foreign films and documentaries. This city-spanning event brings in some of the more enigmatic filmmakers and public figures of the age, but to categorize these guests as provocateurs would be a bit of stretch.

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Reel Talk: Some ideas shine, some don’t

Reflecting on the recent “conspiracy theory” documentary chronicling interpretations of The Shining’s true meaning, The Atlantic’s Jason Bailey posed a salient question: can movies be solved? A cryptic and haunting movie, The Shining asks more questions than it answers; on top of this, its famously elusive director Stanley Kubrick was known for his meticulous attention to detail and big picture thematic undertones. With these facts on the table, it becomes clear that The Shining may have an agenda beneath its horror movie veneer.

Leisure

Reel Talk: That’s some funny shit

Tommy Wiseau: a name that sends a shiver down the spine of scrupulous movie critics. This heavily-accented film auteur came into the spotlight when audiences took note of his pet project The Room. What should have been an easily dismissed shitty two-hour soap opera gained an instant cult following precisely because its inane script, sloppy acting, and lurid sex scenes appealed to audiences’ craving for that rare “incomprehensibly bad” movie.